#videos that give you life
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jorenilee · 8 months ago
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good ace attorns
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ravenpureforever · 9 months ago
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On one hand, Young Justice is kind of neglected by the actual superheroes that should be looking out for them in a lot of crucial ways and very much failed by the adults around them
But on the other hand Red Tornado straight up hosts a parent-teacher conference where their respective legal guardians all show up, barring Batman who’s in traffic so Nightwing fills in instead because Robin’s dad does not know he’s a vigilante which is objectively hilarious
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heymacy · 1 year ago
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CHAPPELL ROAN: The Rise and Fall of a Midwest Princess (Mini Documentary) [x, x] ╰┈➤ "This job allows me to do and be whoever I want because there's no boundaries. And that was like, the point of it all, you know? To be anything I wanted."
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cordiallyfuturedwight · 8 months ago
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bangtan boys in turtlenecks (15/??) cr. 0613data, namuspromised
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crabussy · 1 month ago
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dude. my life fucking rules. feathered velociraptor shleich figurine for $2 at the op shop. captain of one of my favourite ferries complimented my shirt TWICE (and we are now introduced!). new friend waved me over to sit next to her in a lecture. found a way to make my pony collection even more enjoyable. sky was so beautiful it was a crazy pale blue and there were cirrus clouds catching the sun. the ocean looked like molten green glass. I'm going swimming in the sea and having lunch with a few friends in a weeks time. I've earned 500 dollars this week just from my art which is a milestone I didn't expect to hit without joining a company. I'm not feeling as fatigued as usual. it rained in the morning which was really lovely. I thought I was going to be super late for uni but I made it right on time. I'm kind of in love with the world today
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vifromtheundercity · 3 months ago
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hey baddies, sorry for telling viktor to kill himself.
-vi probably
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edelgardism · 2 months ago
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hyperfixating on a piece of media from five years ago with a dead fandom someone save me
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gothamite-rambler · 2 months ago
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Batman: Oh God, I fell into a septic tank!
Oracle tossed her pen behind her back, grabbed her coffee and calmly pressed the comms button to learn more.
Oracle (serious tone): My word... A septic tank? Like a filled one?
Batman (stressed): Yes, I'm going to be sick. Don't record this!
Oracle (already recording it, delighted tone): Don't worry buddy I wouldn't do such a thing. I'll relay this and someone who can really hold their breath will come to your aid. I'm gonna put you on hold.
Batman (hearing the hold music): Just realized it was a massive mistake to add a hold function. Yeah they're definitely mocking me. Alfred is going to freaking kill me.
Meanwhile Oracle had told everyone who was on patrol about what happened and the reactions were what she wanted.
Nightwing (trying not laugh): Oracle... hold on.
Nightwing and Red Hood laughed loudly for a minute as Red Robin chimed in.
Red Robin: I'm not dead inside enough to go near someone covered in shit.
Spoiler was with him and sat down while chuckling then she questioned one important part.
Spoiler: You think it was liquidity or caked on?
Nightwing and Red Hood could be heard laughing harder in the comms as Orphan and Robin did rock, paper, scissors for which one would go first.
Orphan lost. Robin walked off happily as Orphan had to go meet her father.
Orphan: This is not how I wanted my night to go.
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aspennntree · 2 months ago
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we as a society need to give more demon children catholic guilt
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asiandramabitch · 1 month ago
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are you happy?
i'm so happy.
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missisjoker · 4 months ago
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xskyll · 1 month ago
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I think I found a brush I like.
Pages 1-30
Prev / Next
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iwasbored777 · 1 year ago
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I know this wasn't necessary for the movie's plot but it should've been in the movie I'm crying 😂
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homestuckreplay · 4 days ago
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How Does Dave See John?
TG: dont talk to john anymore hes an impressionable doofus (p.1657)
Ever since reading Davesprite’s conversation with gallowsCalibrator where he chastises her for getting John killed, I’ve struggled to get it off my mind. There’s a few passing references in early acts, but Act 4 is the first time we’ve seen Dave talk extensively about John, with John not around – and he paints an interesting picture.
GC: SO JOHN 4CTU4LLY D1D WH4T 1 S41D? TG: yeah TG: im telling you TG: huge pushover TG: he will do what you say TG: unless it happens to be for his own good TG: then all a sudden hes a tough nut to crack go figure (p.1657)
In this chatlog, Dave hasn’t spoken to John for four months – before that, they likely spoke every day for years. That’s a big hole in Dave’s life, so of course he’s furious with the person who caused that. It makes sense, as well, that Dave’s opinions of John are overshadowed by that important final interaction, not by their day to day mutual teasing and goofing off.
Here, Davesprite sees John as someone he has to defend, and as someone who’s easily manipulated and not really capable of making his own decisions. Whether or not that’s actually true, it makes sense coming from someone who’s spent four grueling months mastering time travel and personal independence under life or death conditions, and pre-sprite future Dave expresses something similar when talking to Rose.
TG: i go back and tell john not to be an idiot and get trolled like such a gullible stooge (p.1643)
It’d be a fair interpretation to say that Davesprite’s hero complex is about wanting to save the whole timeline, all of his friends and maybe even the future of humanity, and John just happens to be the specific person who needs saving to accomplish that. However, I personally think this is about Dave’s feelings towards John specifically, and I have three different angles I want to briefly discuss this from: Dave’s birthday note, gender, and fan interpretations.
Dave’s Note.
A few pages after GC and Davesprite’s conversation, we see the note Dave included with John’s birthday package – most likely written in early April of 2009, a week or so before the kids play Sburb. Here’s about 2/3 of the note quoted in full.
i would suggest you put it somewhere and display it ironically but i know youre dead serious about this ridiculous shit so youll probably sleep with the damn thing and nibble its ear and stuff but the weird thing is thats whats cool about you. youre this naive guy like pinocchio tumbled ass backwards off the turnip truck and started liking ghostbusters. then the fairy godmother kissed your nose or some shit and you turned out to be not made of wood and also pretty cool to talk to. one day your gooberish ways are gonna land you in a jam and i know im going to have to get you off the hook but its cool i got your back bro. then we'll meet and hug bump and get each others filthy wife beaters that much filthier so yeah (p.1662)
Here’s the key points I’m getting from this.
Dave defines John by the differences between them.
The way Dave sees John is almost infantilizing; he definitely thinks John is more innocent than he is and less capable of taking care of himself.
Dave loves John so, so much, and he can’t help but express that, even when it contradicts his usual persona.
Irony versus sincerity is a big theme in John and Dave’s conversations dating back to Act 1, as is their respective opinions on pieces of media – usually things John likes and Dave doesn’t, with GameBro Magazine as a notable exception (p.26). Another theme is Dave’s ‘expertise’, with him often positioning himself as knowing more than John and flaunting his superior knowledge, like with their conversations about John’s sylladex and strife specibus (p.35).
In truth, Dave probably has more life experience than John. Bro certainly isn’t trying to keep him sheltered from anything, and Dave is constantly in dangerous situations and surrounded by adult content. He lives in a city, gets into fights, has partly raised himself, and probably hangs out in some weird corners of the internet. John’s life is hard in different ways – he’s a lot more sheltered, and he’s been allowed to have a longer childhood. Even their shared gifts reflect this. John gives Dave a gift that hides his face, makes him look older, shields him from a tough world, and was worn by an adult in a movie. Dave gives John a gift that’s typically given to a young child (Casey is around seven in Con Air) and represents vulnerability, softness, and a need for comfort.
Even if he doesn’t admit it, Dave might wish he’d had a childhood more like John’s. He wants John to have what he couldn’t, which might be why he tries to hide the weirdest things Bro does (and his own discomfort with them) from John. And he wants to use the combat skills he’s learning from Bro to protect someone, instead of hurt them. The love between them is defining and specific, and I actually do think that Dave would go further to protect John than he would to protect Rose or Jade, even though he cares about them a lot too. It’s difficult to find hard evidence for this – it’s really more of a feeling - but the closest I’ve got is that he sends Jade a signed Sweet Bro and Hella Jeff poster for her birthday, which isn’t even in the same league as the Con Air bunny.
There are definitely examples of Dave being naive and oblivious to the world, like when he’s telling himself he loves puppets and is totally chill with Cal, and there are examples of John being smart and intuitive, like when he starts to realize WV is controlling him and fights back. Those things are true of them as individuals, and are even visible in a fair few of their conversations (see p.287 for a great example) but when Dave talks about John, he leans really hard into their experienced/naive dichotomy. I think it’d be so interesting if, when they meet in person one day, they’re forced to confront these other sides of each other and put into a situation where John gets to be the one to take care of Dave and demonstrate his own capabilities.
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Gender.
ok so that was all based on the text, now let’s talk headcanons and wild speculation: I think these kids might be transgender.
John, in Act 1 and 2, is characterized by detachment from his life, discomfort in his relationship with his father, and a strict, by the numbers understanding of certain trappings of ‘normal’ life. Dad leaves a piece of paper taped behind his safe, addressing John as ‘son’ and focusing on John’s strength and manliness (p.546). Dad himself is extremely strong, able to lift anything Jack Noir uses to keep him contained and fight the strongest Derse agents, and these are clearly the qualities he prizes in his son too. John also thinks that a ‘proper gentleman’ needs a monocle (p.27) and that a father needs a pipe (p.74), both of which are pretty weird and outdated ideas about masculinity which definitely come from old movies, not from actual deeply held beliefs.
John is also 100% capable of repressing very obvious parts of himself for a very long time, like with the clown graffiti on his walls (p.1001). So, distancing himself from being a man combined with obliviousness towards parts of his own mind makes it possible that John is a trans woman, and hasn’t figured this out yet. Worth mentioning also that John is the only kid to change his Pesterchum handle within the timeline of the story, and John later changing his name would be a very cool resonance.
Dave is more complex, and in a vacuum I think it’s possible to read his gender a few different ways – but it’s most interesting to me if he’s a trans man who came out and socially transitioned when he was a young child. It explains why he spends so much time online (it’s the place he can guarantee being stealth) and why he works SO hard to consciously construct his ironic persona, and works even harder to make it look effortless. Dave has always struck me as this person who’s constantly working twice as hard to keep up with what comes easily and naturally to others, and still not always getting it right. That applies to coolness, which he fails at because wearing sunglasses indoors isn’t actually cool, it applies to fighting, which he fails at when Bro kicks his ass every time even after years of training, and it applies to masculinity, where he’s constantly fighting against hitting puberty and how others perceive him when other boys around him don’t have to deal with any of that. And because he’s working so hard to pass and be accepted, Dave has definitely internalized some gender roles which aren’t that great, and leans way too hard into the ‘asshole teenage boy’ stereotype – like in his first conversation with adiosToreador (p.1099). It’s shitty for sure, but he also doesn’t have someone like John’s dad to be a better example of masculinity.
So I think Dave actively and intentionally buys into masculinity infinitely more than John does, and part of that is leaning into the ‘protector’ role when it comes to his friends. In this read, I don’t think either John or Dave consciously suspect anything about the other’s gender or trans status – but a real-world phenomenon that I and a lot of my friends have experienced is making queer friends while young and feeling a strong connection to them, despite not knowing each other is queer. Consciously, John and Dave think of each other as ‘best bros’ but there’s also an unconscious understanding that they share something deeper. Dave’s protectiveness of John extends to being ready to support and even physically defend John if and when he starts exploring gender, and John’s clear respect for Dave is partly because beneath the irony, Dave is taking the risk of expressing a very authentic part of himself in ways that John is currently not ready to.
As mentioned above, although they tease each other, a lot of their interactions are roughly built on this perceived dichotomy between John’s earnestness and whimsy versus Dave’s irony and impatience. So I think it’s interesting if the difference between them extends to being different genders, and is subverted by John being the one who’s actually putting up a front and Dave being the one who’s actually being himself. And, of course, their close friendship represents a shared trans solidarity.
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Fan Interpretations.
I really like my interpretations here, but I’m not the only person reading this comic. On April 10, 2010, which of course is today, lots of people feel very differently. A lot of first-year Homestuck fans were also Problem Sleuth fans (or read it after catching up on Homestuck), and Problem Sleuth, plus a good number of other webcomics, don’t invite much complex character analysis. I’ve seen people shocked by the tone shift following ‘[S] Dave: Accelerate’, because they’ve never seen a webcomic kill two of its main characters, send two others to a dark timeline, and take those ideas seriously.
I have no way of knowing what’s discussed on the MSPA forums, but across multiple other forums, most people one-dimensionally see Dave as ‘cool’ and as someone to emulate, and John as ‘stupid’ and as someone to enjoy reading about but to feel superior to. In this way, they’re specifically leaning into Dave’s perceptions of both himself and John. Dave describes John as ‘gooberish’ in his note – a word that has never appeared in Homestuck before, but has definitely come up in forum discussions.
In sitcoms, it’s pretty common for characters to feel like real people in season one, but by season five, their most extreme and comedic traits are exaggerated while their more nuanced and human traits are suppressed. I think a lot of this comes from how viewers respond to these characters, and what becomes their ‘iconic’ moments in early seasons. That’s the case even with a lot of distance between writers and audience – in Homestuck, Hussie engages so much with fans and reads the MSPA forums in real time, so it’s likely that fan interpretations could influence in-comic characterization. This feels especially true now the cast of characters is expanding so much, which makes it harder to keep track of the complexities of each one.
Overall, I really love John and Dave’s existing dynamic, and how all the beta kids have been characterized so far. In all cases, there’s great groundwork for future character arcs. It’d be a real shame to see any of them become caricatures of themselves. And while I don’t think this is happening in a serious way yet, there are slight shifts in how they’ve been written over time. That could be their changing responses to situations in universe, or could be Hussie’s changing understandings of the characters, and either way I think it’s something to pay attention to. So despite the risk of ending this post on a negative note, I’m going to finish by putting these two interactions side by side.
EB: i do things ironically sometimes. EB: what about what i sent you for your birthday? TG: no those are awesome EB: what? no, they're stupid, which was the joke. the IRONIC joke. get it? EB: wait... EB: you're actually wearing them, aren't you? TG: im wearing them ironically TG: because theyre awesome TG: the fact that theyre ironic makes them awesome TG: and vice versa (p.110)
EB: yeah, of course! EB: there was no way i wasn't trying out this sweet ride. TG: god dammit what do i have to do to make you believe me TG: fist bump my future self til i got bloody knuckles and write you an even sappier bday note in my own blood TG: on a back to the future poster EB: relax, i'm not going through the gate! EB: i am just flying around, and having a good time in the sky. (p.1667)
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littlespidermonkey · 1 year ago
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I think in the universe where the Cullens aren't in Forks, Bella Swan takes a while to come out of her shell, but when she does, she's witty and passionate and smart as a whip, even if she's still quiet and reserved. She sits with Jessica Stanley, who demands the best of everyone, and tells her friends about her boyfriend down on the rez, who is sweet and caring and funny and good with his hands, who works for everything he's ever had.
After class, during a sleepover, Bella whispers to tell Angie and Jess about the night after prom, even though her father, loving and careless, worries about her only a normal amount and loves Jacob Black like his own. When she gets into Dartmouth--all by herself, through study sessions in garages and with Jessica and in Angela's house--she chooses to go to Stanford instead. She misses the heat and light on her skin, even after falling in love with the rain. Jessica comes with her; Angela and Eric go to U of Washington in Seattle instead, for education and journalism respectively.
Bella makes sure to call every week and then one day she drives down to Seattle and her boyfriend, warm like the sun she loves and at least twice as reliable, becomes her fiancé. The ring isn't especially big or ornate or pricey, but the way she smiles could trick anyone into thinking that it was. All of her friends, new and old, are waiting at the small party afterwards, and Bella laughs the entire time. The engagement cake--chocolate, her favourite--is sweet and moist against her tongue.
She moves back to Forks once she gets her masters in information sciences and becomes the town's librarian. She gets married a month before the move, barefoot in the surf and her old prom dress, both her parents weeping with joy and Billy Black beaming damn near as bright as his son, Sue Clearwater holding his hand.
She raises her kids --both beautiful children, blessed with Jake's thick, long hair--with Angela and Eric's and takes them down to Los Angeles to visit their auntie Jess and her husband Quil, who lavishes them with gifts from her career as a top surgeon. She jokes about having to support Quil's career as an environmental lawyer and displays each and every one of his wins alongside her diplomas. When William Black II decides he wants to be a doctor too, she writes him a shining letter of recommendation to her alma mater. Sarah, who has always been the spitting image of her father, joins and eventually takes over Jacob's mechanic shop.
On occasion, Bella fights with Jacob, even though he's the love of her life. Despite this, she is never afraid of him, and he never stops her from doing what she wants. Instead, he goes out and works on his cars and comes back in an hour later with slightly greasy hands and a bouquet of flowers from Emily Young's little garden, planted to celebrate her cousin Leah Uley's wedding. Bella makes him muffins, recipe courtesy of Sue and missing bites courtesy of Seth, Colin, Sarah, Will, and Claire, with raspberries, not blueberries, just how Jake likes them. They make up, and they make changes, and they go on.
Eventually, both slower and quicker than she realizes, Bella gets old. She lives in fear of losing herself, of losing her husband and her children, like her grandmother had. But she remembers her grandkids to the very end, even gets to meet her first great-grandchild a week before it happens. Her heart gives out before her brain does, too weak and too slow.
It was too full of love, the letter from Jacob says. Sarah reads it. Her father passed a day after his wife--simply too heartbroken to live without her. Much of the town of Forks and hordes of family attend their funeral, remembering a life well lived.
It is an unremarkable life, in the grand scheme of things. She does not live to be a thousand; she is no great beast, with speed like the wind and strength; she does not discover her powers or lead a great defiance. Bella Black, happy and human and surrounded by love, could never imagine wanting anything else.
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animatedjen · 1 month ago
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Ur art is insane holy shit. The shading???? The depth???? Screaming
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Thank you!! 💛 Here's a baby Rey from 2017, sometime before the Last Jedi came out. Shoutout to Star Wars for being a constant source of inspiration :)
All these illustrations are tagged under #jen makes jedi art if you do/don't want to see doodles in between the usual photomode posts. Way back (like 11 years ago AHH) this blog was a sketchbook for non-school art, like the self portrait I'm still using as a profile pic, so it's been fun to get back to those roots. Eventually I'd love to make concept art or storyboards around the Jedi series, but definitely need more practice first.
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